#Haymarket Press

[thoughtportal]

“What keeps us going, ultimately, is our love for each other, and our refusal to bow our heads, to accept the verdict, however all-powerful it seems. It’s what ordinary people have to do. You have to love each other. You have to defend each other. You have to fight.” —Mike Davis

At Haymarket, we believe that books are crucial tools in struggles against racism, imperialism, and capitalism—and for a better world. That’s why we’ve decided to make TEN key ebooks free to download: join us in reading these indispensable works of analysis, history, and strategy.

Wherever each of us live, work, and are in community: the time is now to build power and fight back, together.

Ten Free Ebooks for Getting Free

[chocochipbiscuit]

#works in Europe as well

Per sorrow-knows, works in Europe as well!

There are still 11 days for the free ebooks and 4 days for the discount off all other ebooks!

Haymarket Books currently has a sale, "Ten Free Ebooks for Getting Free" for the next 14 days.

“What keeps us going, ultimately, is our love for each other, and our refusal to bow our heads, to accept the verdict, however all-powerful it seems. It’s what ordinary people have to do. You have to love each other. You have to defend each other. You have to fight.” —Mike Davis At Haymarket, we believe that books are crucial tools in struggles against racism, imperialism, and capitalism—and for a better world. That’s why we’ve decided to make TEN key ebooks free to download: join us in reading these indispensable works of analysis, history, and strategy. Wherever each of us live, work, and are in community: the time is now to build power and fight back, together.

How We Get Free by Keeanga-Yamahtta Taylor

Hope in the Dark by Rebecca Solnit

Freedom is a Constant Struggle by Angela Y. Davis

Palestine in a World on Fire edited by Katherine Natanel and Ilan Pappe

Let This Radicalize You by Kelly Hayes & Mariame Kaba

Socialism...Seriously by Danny Katch

The Black Antifascist Tradition by Jeanelle K. Hope and Bill V. Mullen

Elite Capture by Olufemi O. Taiwo

Class Struggle Unionism by Joe Burns

Unbuild Walls by Silky Shah

They are also offering 80% off ALL Ebooks for the next 7 days. Unfortunately, I believe the offer only applies to people in the US. Still, I highly recommend this. I haven't read all the books on this list and look forward to reading more.

[hussyknee]

17/12/23 this masterlist has been completely revamped with free access to all material. It will be updated and edited periodically so please click on my username and reblog the current version directly from me if you're able.

14/8/24 reboosting this post with How to Help Palestine updated. Please scroll to the bottom to donate or boost the links.

The Big Damn List Of Stuff They Said You Didn't Know

(Yes, it's a lot. Just choose your preferred medium and then pick one.)

Podcasts

Backgrounders and Quick Facts

Interactive Maps

Teach-Out Resources

Reading Material (free)

Films and Documentaries (free)

Non-Governmental Organizations

Social Media

How You Can Help <- URGENT!!!

Podcasts

Cocktails & Capitalism: The Story of Palestine Part 1, Part 3

It Could Happen Here: The Cheapest Land is Bought with Blood, Part 2, The Balfour Declaration

Citations Needed: Media narratives and consent manufacturing around Israel-Palestine and the Gaza Siege

The Deprogram: Free Palestine, ft. decolonizatepalestine.com.

Backgrounders and Quick Facts

The Palestine Academy: Palestine 101

Institute for Middle East Understanding: Explainers and Quick Facts

Interactive Maps

Visualizing Palestine

Teach-Out Resources

1) Cambridge UCU and Pal Society

Palestine 101

Intro to Palestine Film + Art + Literature

Resources for Organising and Facilitating)

2) The Jadaliya YouTube Channel of the Arab Studies Institute

Gaza in Context Teach-in series

War on Palestine podcast

Updates and Discussions of news with co-editors Noura Erakat and Mouin Rabbani.

3) The Palestine Directory

History (virtual tours, digital archives, The Palestine Oral History Project, Documenting Palestine, Queering Palestine)

Cultural History (Palestine Open Maps, Overdue Books Zine, Palestine Poster Project)

Contemporary Voices in the Arts

Get Involved: NGOs and campaigns to help and support.

3) PalQuest Interactive Encyclopedia of the Palestine Question.

4) The Palestine Remix by Al Jazeera

Books and Articles

Free reading material

My Gdrive of Palestine/Decolonization Literature (nearly all the books recommended below + books from other recommended lists)

Five free eBooks by Verso

Three Free eBooks on Palestine by Haymarket

LGBT Activist Scott Long's Google Drive of Palestine Freedom Struggle Resources

Recommended Reading List

Academic Books

Edward Said (1979) The Question of Palestine, Random House

Ilan Pappé (2002)(ed) The Israel/Palestine Question, Routledge

Ilan Pappé (2006) The Ethnic Cleansing of Palestine, OneWorld Publications

Ilan Pappé (2011) The Forgotten Palestinians: A History of the Palestinians in Israel, Yale University Press

Ilan Pappé (2015) The Idea of Israel: A History of Power and Knowledge, Verso Books

Ilan Pappé (2017) The Biggest Prison On Earth: A History Of The Occupied Territories, OneWorld Publications

Ilan Pappé (2022) A History of Modern Palestine, Cambridge University Press

Rosemary Sayigh (2007) The Palestinians: From Peasants to Revolutionaries, Bloomsbury

Andrew Ross (2019) Stone Men: the Palestinians who Built Israel, Verso Books

Rashid Khalidi (2020) The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance 1917–2017

Ariella Azoulay (2011) From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950, Pluto Press

Ariella Azoulay and Adi Ophir (2012) The One-State Condition: Occupation and Democracy in Israel/Palestine, Stanford University Press.

Jeff Halper (2010) An Israeli in Palestine: Resisting Dispossession, Redeeming Israel, Pluto Press

Jeff Halper (2015) War Against the People: Israel, the Palestinians and Global Pacification

Jeff Halper (2021) Decolonizing Israel, Liberating Palestine: Zionism, Settler Colonialism, and the Case for One Democratic State, Pluto Press

Anthony Loewenstein (2023) The Palestine Laboratory: How Israel exports the Technology of Occupation around the World

Noura Erakat (2019) Justice for Some: Law and the Question of Palestine, Stanford University Press

Neve Gordon (2008) Israel’s Occupation, University of California Press

Joseph Massad (2006) The Persistence of the Palestinian Question: Essays on Zionism and the Palestinians, Routledge

Memoirs

Edward Said (1986) After the Last Sky: Palestine Lives, Columbia University PEdward Saidress

Edward Said (2000) Out of Place; A Memoir, First Vintage Books

Mourid Barghouti (2005) I saw Ramallah, Bloomsbury

Hatim Kanaaneh (2008) A Doctor in Galilee: The Life and Struggle of a Palestinian in Israel, Pluto Press

Raja Shehadeh (2008) Palestinian Walks: Into a Vanishing Landscape, Profile Books

Ghada Karmi (2009) In Search of Fatima: A Palestinian Story, Verso Books

Vittorio Arrigoni (2010) Gaza Stay Human, Kube Publishing

Ramzy Baroud (2010) My Father Was a Freedom Fighter: Gaza's Untold Story, Pluto Press

Izzeldin Abuelaish (2011) I Shall Not Hate: A Gaza Doctor’s Journey on the Road to Peace and Human Dignity, Bloomsbury

Atef Abu Saif (2015) The Drone Eats with Me: A Gaza Diary, Beacon Press

Anthologies

Voices from Gaza - Insaniyyat (The Society of Palestinian Anthropologists)

Letters From Gaza • Protean Magazine

Salma Khadra Jayyusi (1992) Anthology of Modern Palestinian Literature, Columbia University Press

ASHTAR Theatre (2010) The Gaza Monologues

Refaat Alreer (ed) (2014) Gaza Writes Back, Just World Books

Refaat Alreer, Laila El-Haddad (eds) (2015) Gaza Unsilenced, Just World Books

Cate Malek and Mateo Hoke (eds)(2015) Palestine Speaks: Narrative of Life under Occupation, Verso Books

Jehad Abusalim, Jennifer Bing (eds) (2022) Light in Gaza: Writings Born of Fire, Haymarket Books

Short Story Collections

Ghassan Kanafani, Hilary Kilpatrick (trans) (1968) Men in the Sun and Other Palestinian Stories, Lynne Rienner Publishers

Ghassan Kanafani, Barbara Harlow, Karen E. Riley (trans) (2000) Palestine’s Children: Returning to Haifa and Other Stories, Lynne Rienner Publishers

Atef Abu Saif (2014) The Book of Gaza: A City in Short Fiction, Comma Press

Samira Azzam, Ranya Abdelrahman (trans) (2022) Out Of Time: The Collected Short Stories of Samira Azzam

Sonia Sulaiman (2023) Muneera and the Moon; Stories Inspired by Palestinian Folklore

Essay Collections

Edward W. Said (2000) Reflections on Exile and Other Essays, Harvard University Press

Salim Tamari (2008) Mountain against the Sea: Essays on Palestinian Society and Culture, University of California Press

Fatma Kassem (2011) Palestinian Women: Narratives, histories and gendered memory, Bloombsbury

Ramzy Baroud (2019) These Chains Will Be Broken: Palestinian Stories of Struggle and Defiance in Israeli Prisons, Clarity Press

Novels

Sahar Khalifeh (1976) Wild Thorns, Saqi Books

Liyana Badr (1993) A Balcony over the Fakihani, Interlink Books

Hala Alyan (2017) Salt Houses, Harper Books

Susan Abulhawa (2011) Mornings in Jenin, Bloomsbury

Susan Abulhawa (2020) Against the Loveless World, Bloomsbury

Graphic novels

Joe Sacco (2001) Palestine

Joe Sacco (2010) Footnotes in Gaza

Naji al-Ali (2009) A Child in Palestine, Verso Books

Mohammad Sabaaneh (2021) Power Born of Dreams: My Story is Palestine, Street Noise Book*

Poetry

Fady Joudah (2008) The Earth in the Attic, Sheridan Books,

Ghassan Zaqtan, Fady Joudah (trans) (2012) Like a Straw Bird It Follows Me and Other Poems, Yale University Press

Hala Alyan (2013) Atrium: Poems, Three Rooms Press*

Mohammed El-Kurd (2021) Rifqa, Haymarket Books

Mosab Abu Toha (2022) Things You May Find Hidden in My Ear: Poems from Gaza, City Lights Publishers

Tawfiq Zayyad (2023) We Are Here to Stay, Smokestack Books*

The Works of Mahmoud Darwish

Poems

Rafeef Ziadah (2011) We Teach Life, Sir

Nasser Rabah (2022) In the Endless War

Refaat Alareer (2011) If I Must Die

Hiba Abu Nada (2023) I Grant You Refuge/ Not Just Passing

[All books except the ones starred are available in my gdrive. I'm adding more each day. But please try and buy whatever you're able or borrow from the library. Most should be available in the discounted Free Palestine Reading List by Pluto Press, Verso and Haymarket Books.]

Human Rights Reports & Documents

Information on current International Court of Justice case on ‘Legal Consequences arising from the Policies and Practices of Israel in the Occupied Palestinian Territory, including East Jerusalem’

UN Commission of Inquiry Report 2022

UN Special Rapporteur Report on Apartheid 2022

Amnesty International Report on Apartheid 2022

Human Rights Watch Report on Apartheid 2021

Report of the United Nations Fact-Finding Mission on the Gaza Conflict’ 2009 (‘The Goldstone Report’)

Advisory Opinion on the Legal Consequences of the Construction of a Wall in the Occupied Palestinian Territory, International Court of Justice, 9 July 2004

Films

Documentaries

Jenin, Jenin (2003) dir. Mohammed Bakri

Massacre (2005) dir. Monica Borgmann, Lokman Slim, Hermann Theissen

Slingshot HipHop (2008) dir. Jackie Reem Salloum

Waltz with Bashir (2008) dir. Ari Folman † (also on Amazon Prime)

Tears of Gaza (2010) dir. Vibeke Løkkeberg (also on Amazon Prime)

5 Broken Cameras (2011) dir. Emad Burnat (also on Amazon Prime)

The Gatekeepers (2012) dir. Dror Moreh (also on Amazon Prime)

The Great Book Robbery (2012) | Al Jazeera English

Al Nakba (2013) | Al Jazeera (5-episode docu-series)

The Village Under the Forest (2013) dir. Mark J. Kaplan

Where Should The Birds Fly (2013) dir. Fida Qishta

Naila and the Uprising (2017) (also on Amazon Prime)

GAZA (2019) dir. Andrew McConnell and Garry Keane

Gaza Fights For Freedom (2019) dir. Abby Martin

Little Palestine: Diary Of A Siege (2021) dir. Abdallah Al Khatib 

Palestine 1920: The Other Side of the Palestinian Story (2021) | Al Jazeera World Documentary

Gaza Fights Back (2021) | MintPress News Original Documentary | dir. Dan Cohen

Innocence (2022) dir. Guy Davidi

Short Films

Fatenah (2009) dir. Ahmad Habash

Gaza-London (2009) dir. Dina Hamdan

Condom Lead (2013) dir. Tarzan Nasser, Arab Nasser

OBAIDA (2019) | Defence for Children Palestine

Theatrical Films

Divine Intervention (2002) | dir. Elia Suleiman (also on Netflix)

Paradise Now (2005) dir Hany Abu-Assad (also on Amazon Prime)

Lemon Tree (2008) (choose auto translate for English subs) (also on Amazon Prime)

It Must Be Heaven (2009) | dir. Elia Suleiman †

The Promise (2010) mini-series dir. Peter Kosminsky (Part 1, Part 2, Part 3, Part 4)

Habibi (2011)* dir. Susan Youssef

Omar (2013)* dir. Hany Abu-Assad †

3000 Nights (2015)* dir. Mai Masri

Foxtrot (2017) dir. Samuel Maoz (also on Amazon Prime)

The Time that Remains (2019) dir. Elia Suleiman †

Gaza Mon Amour (2020) dir. Tarzan Nasser, Arab Nasser †

The Viewing Booth (2020) dir. Ra'anan Alexandrowicz (on Amazon Prime and Apple TV)

Farha (2021)* | dir. Darin J. Sallam

Palestine Film Institute Archive

All links are for free viewing. The ones marked with a star (*) can be found on Netflix, while the ones marked † can be downloaded for free from my Mega account.

If you find Guy Davidi's Innocence anywhere please let me know, I can't find it for streaming or download even to rent or buy.

In 2018, BDS urged Netflix to dump Fauda, a series created by former members of IOF death squads that legitimizes and promotes racist violence and war crimes, to no avail. Please warn others to not give this series any views. BDS has not called for a boycott of Netflix. ]

NGOs

The Boycott, Divestment, Sanctions (BDS) Movement

Euro-Mediterranean Human Rights Monitor

UNRWA

Palestine Defence for Children International

Palestinian Feminist Collective

Al-Shabaka: The Palestinian Policy Network

Addameer Prisoner Support and Human Rights Association

Institute for Palestine Studies

Al Haq

Artists for Palestine

The Palestine Museum

Jewish Currents

B’Tselem

DAWN

Social Media

Palestnians on Tumblr

@el-shab-hussein

@killyfromblame

@apollos-olives

@fairuzfan

@palipunk

@sar-soor

@nabulsi

@wearenotjustnumbers2

@90-ghost

@tamarrud

@northgazaupdates

Allies and advocates (not Palestinian)

@bloglikeanegyptian beautiful posts that read like op-eds

@vyorei daily news roundups

@luthienne resistance through prose

@decolonize-the-left scoop on the US political plans and impacts

@feluka

@anneemay

(Please don't expect any of these blogs to be completely devoted to Palestine allyship; they do post regularly about it but they're still personal blogs and post whatever else they feel like. Do not harrass them.)

Gaza journalists

Motaz Azaiza IG: @motaz_azaiza | Twitter: @azaizamotaz9 | TikTok: _motaz.azaiza (left Gaza as of Jan 23)

Bisan Owda IG and TikTok: wizard_bisan1 | Twitter: @wizardbisan

Saleh Aljafarawi IG: @saleh_aljafarawi | Twitter: @S_Aljafarawi | TikTok: @saleh_aljafarawi97

Plestia Alaqad IG: @byplestia | TikTok: @plestiaaqad (left Gaza)

Wael Al-Dahdouh IG: @wael_eldahdouh | Twitter: @WaelDahdouh (left Gaza as of Jan 13)

Hind Khoudary IG: @hindkhoudary | Twitter: @Hind_Gaza

Ismail Jood IG and TikTok: @ismail.jood (announced end of coverage on Jan 25)

Yara Eid IG: @eid_yara | Twitter: @yaraeid_

Eye on Palestine IG: @eye.on.palestine | Twitter: @EyeonPalestine | TikTok: @eyes.on.palestine

Muhammad Shehada Twitter: @muhammadshehad2

(Edit: even though some journos have evacuated, the footage up to the end of their reporting is up on their social media, and they're also doing urgent fundraisers to get their families and friends to safety. Please donate or share their posts.)

News organisations

The Electronic Intifada Twitter: @intifada | IG: @electronicintifada

Quds News Network Twitter and Telegram: @QudsNen | IG: @qudsn (Arabic)

Times of Gaza IG: @timesofgaza | Twitter: @Timesofgaza | Telegram: @TIMESOFGAZA

The Palestine Chronicle Twitter: @PalestineChron | IG: @palestinechron | @palestinechronicle

Al-Jazeera Twitter: @AJEnglish | IG and TikTok: @aljazeeraenglish, @ajplus

Middle East Eye IG and TikTok: @middleeasteye | Twitter: @MiddleEastEye

Democracy Now Twitter and IG: @democracynow TikTok: @democracynow.org

Mondoweiss IG and TikTok: @mondoweiss | Twitter: @Mondoweiss

The Intercept Twitter and IG: @theintercept

MintPress Twitter: @MintPressNews | IG: mintpress

Novara Media Twitter and IG: @novaramedia

Truthout Twitter and IG: @truthout

Palestnians on Other Social Media

Mouin Rabbani: Middle East analyst specializing in the Arab-Israeli conflict and Palestinian affairs. Twitter: @MouinRabbani

Noura Erakat: Legal scholar, human rights attorney, specialising in Israeli–Palestinian conflict. Twitter: @4noura | IG: @nouraerakat | (http://www.nouraerakat.com/)

Hebh Jamal: Journalist in Germany. IG and Twitter: @hebh_jamal

Ghada Sasa: PhD candidate in International Relations, green colonialism, and Islam in Canada. Twitter: @sasa_ghada | IG: @ghadasasa48

Taleed El Sabawi: Assistant professor of law and researcher in public health. Twitter: @el_sabawi | IG

Lexi Alexander: Filmmaker and activist. Twitter: @LexiAlex | IG: @lexialexander1

Mariam Barghouti: Writer, blogger, researcher, and journalist. Twitter: @MariamBarghouti | IG: @mariambarghouti

Rasha Abdulhadi: Queer poet, author and cultural organizer. Twitter: @rashaabdulhadi

Mohammed el-Kurd: Writer and activist from Jerusalem. IG: @mohammedelkurd | Twitter: @m7mdkurd

Ramy Abdu: Founder and Chairman of the Euro-Mediterranean Human Rights Monitor. Twitter: @RamyAbdu

Subhi: Founder of The Palestine Academy website. IG: @sbeih.jpg |TikTok @iamsbeih | Twitter: @iamsbeih

Allies

Lowkey (Kareem Dennis): Rapper, activist, video and podcast host for MintPress. Twitter: @LowkeyOnline IG: @lowkeyonline

Francesca Albanese: UN Special Rapporteur on the Occupied Territories. Twitter: @FranceskAlbs

Sana Saeed: Journalist and media critic, host and senior producer at Al-Jazeera Plus. IG: @sanaface | Twitter: @SanaSaeed

Shailja Patel: Poet, playwright, activist, founding member of Kenyans For Peace, Truth and Justice. Twitter: @shailjapatel

Jairo I. Fúnez-Flores: Researcher in curriculum studies, decolonial theory, social movements. Twitter: @Jairo_I_Funez

Jack Dodson: Journalist and Filmmaker. Twitter: @JackDodson IG: @jdodson4

Imani Barbarin: Writer, public speaker, and disability rights activist. IG: @crutches_and_spice | Twitter: @Imani_Barbarin | TikTok: @crutches_and_spice

Jewish Allies

Katie Halper: US comedian, writer, filmmaker, podcaster, and political commentator. IG and Twitter: @kthalps

Dr. Chanda Prescod-Weinstein: Associate Professor of Physics and Core Faculty Member in Women’s and Gender Studies at the University of New Hampshire. Twitter: @IBJIYONGI | (https://chanda.science/)

Amanda Gelender: Writer. Twitter: @agelender | (https://agelender.medium.com/)

Yoav Litvin: Jerusalem-born Writer and Photographer. IG and Twitter: @nookyelur | (yoavlitvin.com)

Alana Lentin: Professor of Cultural and Social Analysis at Western Sydney University. Twitter: @alanalentin

Gideon Levy: anti-Zionist Israeli journalist and activist. Twitter: @gideonlevy

‼️How You Can Help Palestine‼️

Click for Palestine (Please reblog!!)

Masterlist of donation links by @sulfurcosmos (Please reblog!!)

Water for Gaza: Donate directly to the Gaza Municipality

Operation Olive Branch Linktree for vetted fundraisers, donations and political action resources. TikTok and Instagram: @operationolivebranch | Twitter: @OPOliveBranch

Gazafunds (vetted and spotlighted GFMs)

The Butterfly Effect Project (spreadsheet of vetted GFMs)

Spreadsheet of Gaza fundraisers vetted by @el-shab-hussein and @nabulsi

If any links are broken let me know. Or pull up the current post to check whether it's fixed.

Political action to pressure the Harris campaign to stop arming Israel (for US citizens): Uncommitted Movement (TikTok: @uncommittedmvmt) (Please reblog!!)

"Knowledge is Israel's worst enemy. Awareness is Israel's most hated and feared foe. That's why Israel bombs a university: it wants to kill openness and determination to refuse living under injustice and racism."

— Dr. Refaat Alareer, (martyred Dec 6, 2023)

From River To The Sea Palestine Will Be Free 🇵🇸🇵🇸🇵🇸

-----

Edit 1: took the first video down because turns out the animator is a terf and it links to her blog. Really sorry for any distress.

Edit 2: All recommended readings + Haymarket recommendations + essential decolonization texts have been uploaded to my linked gdrive. I will adding more periodically. Please do buy or check them out from the library if possible, but this post was made for and by poor and gatekept Global South bitches like me.

Some have complained about the memes being disrespectful. You're actually legally obligated to make fun of Israeli propaganda and Zionists. I don't make the rules.

Edit 3: "The river to the sea" does not mean the expulsion of Jews from Palestine. Believing that is genocide apologia.

Edit 4: Gazans have specifically asked us to put every effort into pushing for a ceasefire instead of donations. "Raising humanitarian aid" is a grift Western governments are pushing right now to deflect from the fact that they're sending billions to Israel to keep carpet bombing Gazans. As long as the blockades are still in place there will never be enough aid for two million people. (UPDATE: PLEASE DONATE to the Gazan's GoFundMe fundraisers to help them buy food and get out of Rafah into Egypt. E-SIMs, food and medical supplies are also essential. Please donate to the orgs linked in the How You Can Help. Go on the strikes. DO NOT STOP PROTESTING.)

Edit 5: Google drive link for academic books folder has been fixed. Also have added a ton of resources to all the other folders so please check them out.

Edit 6: Added interactive maps, Jadaliya channel, and masterlists of donation links and protest support and of factsheets.

The twitter accounts I reposted as it was given to me and I just now realized it had too many Israeli voices and almost none of the Palestinians I'm following, so it's being edited. (Update: done!) also removed sources like Jewish Voices of Peace and Breaking the Silence that do good work but have come under fair criticism from Palestinians.

Edit 7: Complete reformatting

Edit 8: Complete revamping of the social media section. It now reflects my own following list.

Edit 9: removed some more problematic people from the allies list. Remember that the 2SS is a grift that's used to normalize violence and occupation, kids. Supporting the one-state solution is lowest possible bar for allyship. It's "Free Palestine" not "Free half of Palestine and hope Israel doesn't go right back to killing them".

Edit 10: added The Palestine Directory + Al Jazeera documentary + Addameer. This "100 links per post" thing sucks.

Edit 11: more documentaries and films

Edit 12: reformatted reading list

Edit 13: had to remove @palipunk's masterlist to add another podcast. It's their pinned post and has more resources Palestinian culture and crafts if you want to check it out

Edit 14 6th May '24: I've stopped updating this masterlist so some things, like journalists still left in Gaza and how to support the student protests are missing. I've had to take a step back and am no longer able to track these things down on my own, and I've hit the '100 links per post' limit, but if you can leave suggestions for updates along with links in either the replies or my asks I will try and add them.

Edit 15 10th August: added to Palestinian allies list and reworked the Help for Palestine section. There's been a racist harrassment campaign against the Palestinian Tumblrs that vetted the Gaza fundraisers based off one mistake made by a Gazan who doesn't understand English. If you're an ally, shut that shit down. Even if you donate to a scam GFM, you're only out some coffee money; if everyone stops donating to all the GFMs in fear of scams, those families die.

[sad-boys-book-club]

"&" Ampersand - A Literary Companion

Selected stories with the themes of Bastille's upcoming project "&" Ampersand. And, of course, a love letter to my favourite band.

PART 1

Intros & Narrators: Wallace, David Foster. Oblivion: Stories. Little, Brown and Company, 2004./ Nancherla, Aparna. Unreliable Narrator: Me, Myself, and Impostor Syndrome. Penguin Publishing Group, 2023.// Eve & Paradise Lost: Bohannon, Cat. Eve: How the Female Body Drove 200 Million Years of Human Evolution. Knopf Doubleday Publishing Group, 2023. / Milton, John. Paradise Lost. Alma Classics, 2019.// Emily & Her Penthouse In The Sky: Dickinson, Emily. Emily Dickinson’s Poems: As She Preserved Them. Harvard University Press, 2016. /Dickinson, Emily. Emily Dickinson: Letters. Edited by Emily Fragos, Knopf Doubleday Publishing Group, 2011.// Blue Sky & The Painter: Prideaux, Sue. Edvard Munch: Behind the Scream. Yale University Press, 2019. / Knausgaard, Karl Ove. So Much Longing in So Little Space: The Art of Edvard Munch. Random House, 2019.//

PART 2

Leonard & Marianne: Hesthamar, Kari. So Long, Marianne: A Love Story - Includes Rare Material by Leonard Cohen. Ecw Press, 2014./ Cohen, Leonard. Book of Longing. Penguin Books Limited, 2007.// Marie & Polonium: Curie, Eve. Madame Curie. Knopf Doubleday Publishing Group, 2013./Sobel, Dava. The Elements of Marie Curie: How the Glow of Radium Lit a Path for Women in Science. Atlantic Monthly Press, 2024.// Red Wine & Wilde: Wilde, Oscar, et al. De Profundis. Harry N. Abrams, 1998./ Sturgis, Matthew. Oscar: A Life. Head of Zeus, 2018.// Seasons & Narcissus: Ovid. Metamorphoses: A New Verse Translation. Penguin, 2004./ Morales, Helen. Antigone Rising: The Subversive Power of the Ancient Myths. PublicAffairs, 2020.//

PART 3

Drawbridge & The Baroness: Rothschild, Hannah. The Baroness: The Search for Nica, the Rebellious Rothschild. Knopf Doubleday Publishing Group, 2013./ Katz, Judy H. White Awareness: Handbook for Anti-racism Training. University of Oklahoma Press, 1978.// The Soprano & Her Midnight Wonderings: Ardoin, John, and Gerald Fitzgerald. Callas: The Art and the Life. Holt, Rinehart and Winston, 1974./ Abramovic, Marina. 7 Deaths of Maria Callas. Damiani, 2020.// Essie & Paul: Ransby, Barbara. Eslanda: The Large and Unconventional Life of Mrs. Paul Robeson. Haymarket Books, 2022./ Robeson, Paul. Here I Stand. Beacon Press, 1998.//

PART 4

Mademoiselle & The Nunnery Blaze: Gautier, Theophile. Mademoiselle de Maupin. Penguin Classics, n.d./ Gardiner, Kelly. Goddess. HarperCollins, 2014.// Zheng Yi Sao & Questions For Her: Chang-Eppig, Rita. Deep as the Sky, Red as the Sea. Bloomsbury Publishing, 2023./ Borges, Jorge Luis. A Universal History of Infamy. Penguin Books, 1975. // Telegraph Road 1977 & 2024: Kaufman, Bob. Golden Sardine. City Lights Books, 1976./ Wolfe, Tom. The Electric Kool-Aid Acid Test. Pan Macmillan Australia Pty, Limited, 2008.

Original artwork created by Theo Hersey & Dan Smith. Printed letterpress at The Typography Workshop, South London.

[libraryleopard]

Some books of poetry by Palestinian authors that I've read recently. I'll link to where you can purchase them if you want to support the authors/publishers (once the global strike is over). (Or you can see if your library has them right now.)

The Tiny Journalist by Naomi Shihab Nye (BOA Editions / Bookshop)

Before the Next Bomb Drops: Rising Up From Brooklyn to Palestine by Remi Kamazi (Haymarket Books / Bookshop)

The Adam of Two Edens by Mahmoud Darwish (Syracuse University Press / Bookshop)

The Tent Generations: Palestinian Poems edited by Mohammed Sawaie (Banipal Books / Bookshop)

The Twenty-Ninth Year by Hala Alyan (Little District Books / Bookshop)

Water & Salt by Lena Khalaf Tuffaha (Red Hen Press / Bookshop)

Rifqa by Mohammed El-Kurd (Haymarket Books / Bookshop)

Things You May Find Hidden in My Ear by Mosab Abu Toha (City Lights / Bookshop)

You & Yours by Naomi Shihab Nye (BOA Editions / Bookshop)

[fatehbaz]

Just in case, some might enjoy. Had to organize some notes.

These are just some of the newer texts that had been promoted in the past few years at the online home of the American Association of Geographers. At: [aag dot org/new-books-for-geographers/]

Tried to narrow down selections to focus on Indigenous, Black, anticolonial, Latin American, oceanic/archipelagic geographies; imaginaries and environmental perception; mobility, borders, carceral/abolition geography; literary and musical ecologies.

---

New stuff, early 2024:

A Caribbean Poetics of Spirit (Hannah Regis, University of the West Indies Press, 2024)

Constructing Worlds Otherwise: Societies in Movement and Anticolonial Paths in Latin America (Raúl Zibechi and translator George Ygarza Quispe, AK Press, 2024)

Fluid Geographies: Water, Science, and Settler Colonialism in New Mexico (K. Maria D. Lane, University of Chicago Press, 2024)

Hydrofeminist Thinking With Oceans: Political and Scholarly Possibilities (Tarara Shefer, Vivienne Bozalek, and Nike Romano, Routledge, 2024)

Making the Literary-Geographical World of Sherlock Holmes: The Game Is Afoot (David McLaughlin, University of Chicago Press, 2025)

Mapping Middle-earth: Environmental and Political Narratives in J. R. R. Tolkien’s Cartographies (Anahit Behrooz, Bloomsbury Publishing, 2024)

Midlife Geographies: Changing Lifecourses across Generations, Spaces and Time (Aija Lulle, Bristol University Press, 2024)

Society Despite the State: Reimagining Geographies of Order (Anthony Ince and Geronimo Barrera de la Torre, Pluto Press, 2024)

---

New stuff, 2023:

The Black Geographic: Praxis, Resistance, Futurity (Camilla Hawthorne and Jovan Scott Lewis, Duke University Press, 2023)

Activist Feminist Geographies (Edited by Kate Boyer, Latoya Eaves and Jennifer Fluri, Bristol University Press, 2023)

The Silences of Dispossession: Agrarian Change and Indigenous Politics in Argentina (Mercedes Biocca, Pluto Press, 2023)

The Sovereign Trickster: Death and Laughter in the Age of Dueterte (Vicente L. Rafael, Duke University Press, 2022)

Ottoman Passports: Security and Geographic Mobility, 1876-1908 (İlkay Yılmaz, Syracuse University Press, 2023)

The Practice of Collective Escape (Helen Traill, Bristol University Press, 2023)

Maps of Sorrow: Migration and Music in the Construction of Precolonial AfroAsia (Sumangala Damodaran and Ari Sitas, Columbia University Press, 2023)

---

New stuff, late 2022:

B.H. Roberts, Moral Geography, and the Making of a Modern Racist (Clyde R. Forsberg, Jr.and Phillip Gordon Mackintosh, Cambridge Scholars Publishing, 2022)

Environing Empire: Nature, Infrastructure and the Making of German Southwest Africa (Martin Kalb, Berghahn Books, 2022)

Sentient Ecologies: Xenophobic Imaginaries of Landscape (Edited by Alexandra Coțofană and Hikmet Kuran, Berghahn Books 2022)

Colonial Geography: Race and Space in German East Africa, 1884–1905 (Matthew Unangst, University of Toronto Press, 2022)

The Geographies of African American Short Fiction (Kenton Rambsy, University of Mississippi Press, 2022)

Knowing Manchuria: Environments, the Senses, and Natural Knowledge on an Asian Borderland (Ruth Rogaski, University of Chicago Press, 2022)

Punishing Places: The Geography of Mass Imprisonment (Jessica T. Simes, University of California Press, 2021)

---

New stuff, early 2022:

Belly of the Beast: The Politics of Anti-fatness as Anti-Blackness (Da’Shaun Harrison, 2021)

Coercive Geographies: Historicizing Mobility, Labor and Confinement (Edited by Johan Heinsen, Martin Bak Jørgensen, and Martin Ottovay Jørgensen, Haymarket Books, 2021)

Confederate Exodus: Social and Environmental Forces in the Migration of U.S. Southerners to Brazil (Alan Marcus, University of Nebraska Press, 2021)

Decolonial Feminisms, Power and Place (Palgrave, 2021)

Krakow: An Ecobiography (Edited by Adam Izdebski & Rafał Szmytka, University of Pittsburgh Press, 2021)

Open Hand, Closed Fist: Practices of Undocumented Organizing in a Hostile State (Kathryn Abrams, University of California Press, 2022)

Unsettling Utopia: The Making and Unmaking of French India (Jessica Namakkal, 2021)

---

New stuff, 2020 and 2021:

Mapping the Amazon: Literary Geography after the Rubber Boom (Amanda Smith, Liverpool University Press, 2021)

Geopolitics, Culture, and the Scientific Imaginary in Latin America (Edited by María del Pilar Blanco and Joanna Page, 2020)

Reconstructing public housing: Liverpool’s hidden history of collective alternatives (Matt Thompson, University of Liverpool Press, 2020)

The (Un)governable City: Productive Failure in the Making of Colonial Delhi, 1858–1911 (Raghav Kishore, 2020)

Multispecies Households in the Saian Mountains: Ecology at the Russia-Mongolia Border (Edited by Alex Oehler and Anna Varfolomeeva, 2020)

Urban Mountain Beings: History, Indigeneity, and Geographies of Time in Quito, Ecuador (Kathleen S. Fine-Dare, 2019)

City of Refuge: Slavery and Petit Marronage in the Great Dismal Swamp, 1763-1856 (Marcus P. Nevius, University of Georgia Press, 2020)

[cozybearz]

A couple links for free ebooks shared by people I follow on insta in case that's of interest to anyone:

AK Press

Haymarket Books (They have another free collection from May that is Palestine specific)

[bitegore]

Check it out - Haymarket Books has a free collection of essays about Gaza. Description from the site:

In the final months of 2023, as this ebook is published, Israel is committing a genocide in Gaza. Israeli officials have repeatedly made their intentions to do so extremely clear; talking of collective punishment, mass murder, and ethnic cleansing in newspapers, at press conferences, and on television. All the while, European and American states have continued to support Israel, to claim its murderous campaign is justified self-defense, and to send weapons, troops, war boats, and spy planes. While Western governments have supported the unjustifiable, or spoken inane words of condemnation while failing to take any concrete action, millions around the world have poured into the streets to denounce their complicity, to demand a ceasefire and a free Palestine. From the River to the Sea collects personal testimonies from within Gaza and the West Bank, along with essays and interviews that collectively provide crucial histories and analyses to help us understand how we got to the nightmarish present. They place Israel’s genocidal campaign within the longer history of settler colonialism in Palestine, and Hamas within the longer histories of Palestinian resistance and the so-called “peace process.” They explore the complex history of Palestine’s relationship to Jordan, Egypt, and the broader Middle East, the eruption of unprecedented anti-Zionist Jewish protest in the US, the alarming escalation in state repression of Palestine solidarity in Britain and Europe, and more. Taken together, the essays comprising this collection provide important grounding for the urgent discussions taking place across the Palestine solidarity movement. With contributions from: Reda Abu Assi, Asmaa Abu Mezied, Tawfiq Abu Shomer, Khalil Abu Yahia, Dunia Aburahma, Spencer Ackerman, Hil Aked, Yousef Al-Akkad, Jamie Allinson, Hammam Alloh, Riya Al’Sanah, Soheir Asaad, Tareq Baconi, Rana Barakat, Omar Barghouti, Sara Besaiso, Ashley Bohrer, Haim Bresheeth-Zabner, Nihal El Aasar, Mohammed El-Kurd, Sai Englert, Noura Erakat, Samera Esmeir, Rebecca Ruth Gould, Toufic Haddad, Adam Hanieh, Khaled Hroub, Rashid Khalidi, Noah Kulwin, Saree Makdisi, Ghassan Najjar, Samar Saeed, Reema Saleh, Alberto Toscano, and Eyal Weizman, alongside a number of Palestinian writers published pseudonymously. Published in collaboration with Verso Books Cover design: Tom Greenwood

[bookclub4m]

45 New & Forthcoming Indie Press Books by BIPOC Authors 

Every month Book Club for Masochists: A Readers’ Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here.

Fiction

Weird Black Girls: Stories by Elwin Cotman (AK Press)

False Idols: A Reluctant King Novel by K’Wan (Akashic Books)

Sister Deborah by Scholastique Mukasonga, translated by Mark Polizzotti (Archipelago Books)

Bad Land by Corinna Chong (Arsenal Pulp Press)

These Letters End in Tears by Musih Tedji Xaviere (Catapult)

The Coin by Yasmin Zaher (Catapult)

Cecilia by K-Ming Chang (Coffee House Press)

Fog & Car by Eugene Lim (Coffee House Press)

We’re Safe When We’re Alone by Nghiem Tran (Coffee House Press)

A Woman of Pleasure by Kiyoko Murata, translated by Juliet Winters Carpenter (Counterpoint Press)

Bad Seed by Gabriel Carle, translated by Heather Houde (Feminist Press)

The Default World by Naomi Kanakia (Feminist Press)

The Singularity by Balsam Karam, translated by Saskia Vogel (Feminist Press)

I'll Give You a Reason by Annell López (Feminist Press)

Tongueless by Lau Yee-Wa, translated by Jennifer Feeley (Feminist Press)

Outcaste by Sheila James (Goose Lane Editions)

Silken Gazelles by Jokha Alharthi, translated by Marilyn Booth (House of Anansi Press)

Dad, I Miss You by Nadia Sammurtok, illustrated by Simji Park (Inhabit Media)

Secrets of the Snakestone by Pia DasGupta (Nosy Crow)

The Burrow by Melanie Cheng (Tin House)

Masquerade by Mike Fu (Tin House)

The World With Its Mouth Open: Stories by Zahid Rafiq (Tin House)

I Love You So Much It's Killing Us Both by Mariah Stovall (Soft Skull Press)

Non-Fiction

RAPilates: Body and Mind Conditioning in the Digital Age by Chuck D and Kathy Lopez (Akashic Books)

All Our Ordinary Stories: A Multigenerational Family Odyssey by Teresa Wong (Arsenal Pulp Press)

Dispersals: On Plants, Borders, and Belonging by Jessica J. Lee (Catapult)

My Pisces Heart: A Black Immigrant's Search for Home Across Four Continents by Jennifer Neal  (Catapult)

Beyond the Mountains: An Immigrant's Inspiring Journey of Healing and Learning to Dance with the Universe by Deja Vu Prem (Catapult)

Out of the Sierra: A Story of Rarámuri Resistance by Victoria Blanco (Coffee House Press)

Thunder Song: Essays by Sasha LaPointe (Counterpoint Press)

Born to Walk: My Journey of Trials and Resilience by Alpha Nkuranga (Goose Lane Editions)

Jinny Yu (At Once/À La Fois) by Jinny Yu (Goose Lane Editions)

Log Off: Why Posting and Politics (Almost) Never Mix by Katherine Cross (LittlePuss Press)

Becoming Little Shell: A Landless Indian’s Journey Home by Chris La Tray (Milkweed Editions)

World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments  by Aimee Nezhukumatathil (Milkweed Editions)

Opacities: On Writing and the Writing Life by Sofia Samatar (Soft Skull Press)

The Story Game by Shze-Hui Tjoa (Tin House)

Black Meme: The History of the Images That Make Us by Legacy Russell (Verso Books)

Poetry

i heard a crow before i was born by Jules Delorme (Goose Lane Editions)

We the Gathered Heat: Asian American and Pacific Islander Poetry, Performance, and Spoken Word edited by Franny Choi, Bao Phi, Noʻu Revilla, and Terisa Siagatonu (Haymarket Books)

A Map of My Want by Faylita Hicks (Haymarket Books)

[...] by Fady Joudah (Milkweed Editions)

Comics

A Witch’s Guide to Burning by Aminder Dhaliwal (Drawn & Quarterly)

Oba Electroplating Factory by Yoshiharu Tsuge (Drawn & Quarterly)

Lost at Windy River by  Jillian Dolan, Trina Rathgeber and Alina Pete (Orca Books)

[thoughtportal]

read books from publishers like AK Press Verso Books Haymarket Books

[dailyanarchistposts]

CONCLUSION: MAY DAY TODAY

The Haymarket Tragedy remains a symbol of countless struggles against capitalism, the state and oppression. Freedoms won in recent times rest on the sacrifices of martyrs like the IWPA anarchists and the struggles of Botswana’s workers.

May Day is a symbol of the unshakeable power of working class solidarity and of remembrance. It must continue to serve as a rallying point for new anti-capitalist, participatory-democratic left resistance.

We need to defend and extend the legacy of the Haymarket affair – to build the working class as a power-from-below for social change.

FURTHER READING

For an in-depth analysis of anarchism’s roots and global history: Schmidt, M. & van der Walt, L. (2009). Black Flame: The Revolutionary Class Politics of Anarchism and Syndicalism. AK Press: San Francisco

[recreationaldivorce]

end of year book sales

pluto press is doing 50% off books and audiobooks till 13th december + a "radvent" calender w/ 70% a specific book per day which they're posting on their twitter

verso is doing buy 3 get 30% off, buy 4 get 40% off, and buy 5 get 50% off until 1st january

haymarket is 40% off till 2nd january

[scifrey]

Cling Fast: Chapter Two

by Loysark The Sandman (Netflix with some sprinkling of comics canon and Gaimanverse) Dreamling (Hob Gadling x Dream of the Endless | Morpheus) Unfinished PG-13 (for now) Unbeta’d

*

“Remarkable,” Doctor Henrietta Butler says, freezing mid-handshake when she meets Hob’s eyes. “Just remarkable, the resemblance–”

“I’ve heard that a lot today,” Hob tries to interrupt, embarrassed by how much two separate BBC Historics production assistants have already gushed over him in the short walk from the Broadcast House lobby to this back office. 

“I imagine so,” Henrietta laughs. She’s a sturdy woman in her mid-fifties, hair long and steel-grey, shot through with the last clinging vestiges of the mouse-brown. Her hands are at least as calloused as his, from so many years of demonstrating cheese presses, and butter churns, and laundry manglers. The smile lines around her eyes are deep, her laughter comes often and easy, and Hob likes her immediately.

She reminds him of his older sister Matilda.

The memory comes with a sudden hankering for Matty’s rabbit stewed in verjuice. He wonders, if he remembers it in enough detail, would Henrietta be able to recreate it for him? Her years of study overlap with Hob’s. Or maybe Morpheus could, in the Dreaming.

“Sit, sit, please,” Henrietta says, waving him toward one of the cushy office chairs. They’re in a well-appointed meeting room, not much larger than Hob’s office at the university, but significantly tidier. It’s staged to look a bit like a gentleman’s study, and Hob vaguely recalls a chat show from the sixties that used similar furniture. He wonders if it’s been repurposed.

It’s the BBC and they never seem to have enough money, so yeah, likely.

Henrietta goes through the deeply British ritual of pouring out the tea that some assistant has left on a spindly little table in the middle of the hodgepodge of leather chairs.

Oh Christ in his Heaven, Hob realizes as he accepts his mug from Henrietta. I’m going to have to live without tea for months. I don’t know if I can go back to posset.

They chat aimlessly about Hob’s journey to Broadcasting House that morning. Henrietta is delighted to learn that Hob walked in from Wapping rather than take the tube. While motorcars and handsom cabs are handy when you want to go far, Hob’s still got enough of the sellsword peasant soldier in him to prefer a good long march to clear his head over a stuffy, cramped, loud journey shoved into a metal can with a thousand other people.

The hour and half’s stroll along the water, through the oldest part of the city, had reminded Hob of what had changed since his time as Robert Gadlen the Third. He’d made it a game with Matthew, who had joined him for part of the walk, to describe what had been there before the Great Fire. 

Hob remembers when Chalk Fields was still a field, Forest Gate had a gate one passed through to leave the city and enter a forest, and Haymarket was a place to purchase hay.

Gadlen House had survived the inferno simply by virtue of not being in the fashionable part of town. It’s across the river in what is now the Hither Green neighborhood, overlooking what the National Trust had named Manor Park after the House itself when they’d taken control of the estate. At the time, Hob didn’t care about fashionable neighborhoods, or that it was outside the Walls. It was close to Greenwich and the Depford docks, through which much of Hob’s wealth had passed back then, and that’s what mattered. 

And he’d wanted space for his paradise-on-earth. He’d predicted, and predicted right, that the city would one day consume the south bank. He’d wanted to carve out his piece of it before that happened. He’d ensured that there was plenty of room for parkland, orchards, and gardens. Hob had grown up in green and hilly Essex back when his village was so small that everyone could fit inside the church. He preferred space and verdant nature where he could get it, even when he had to live in a city.

He’d done the same when he’d bought the White Horse and as much of the land surrounding it in Wapping as he could winkle out of the estate agents. His current little patch of city has a fine view of the Pool of London (and the Bridge and Tower, if you crane your head up river), but is nowhere near as dominated by buildings and rushing pedestrians and racing cars as the rest of old London Town. On purpose, of course. And despite all the development real estate offers he’d received and turned down (some less politely than others, and one with a baseball bat and a bloody grin when they’d foolishly sent a pack of hooligans to try to intimidate Hob), he intends to keep it that way.

Hob’s walked past Broadcasting House before, too, of course. He's wandered every road in London at one time or another, but its place on Regent's Street between the Thames and Marleboyne means he's walked the Cambridge borough more times than he can count.

Once Henrietta is settled with her own cuppa, Hob jumps straight to his first question: "So where did the historians dig me up? How?"

Henrietta laughs again, easy and generous. “Nothing so difficult–Google, just like everything else in this day and age, I’m afraid. We’d already gotten permission from the National Trust to film at Gadlen House–”

It’s my home, you should have asked my permission, Hob thinks, but the possessiveness flits away as quickly as it had appeared. It’s not his home any more, and that’s something he’s had to come to grips with more than once in his long, long life.

“--and as Glenn and are focused on the downstairs manner of things, we had thought it might be fun to have an actor or two play the upstairs folks, you know.”

“Downtown Abbey-like,” Hob surmises.

“Precisely. But then of course a research assistant was looking into the last owner, Robert Gadlen the Third, sending the portrait to casting directors, and your name popped up in an internet search. Historian at the University of York, same name, remarkable family resemblance…”

Hob tugs on his ear, annoyed again, and aware that there’s no one to blame but himself on this one. “But how did you trace the lineage?” he asks, because that’s the real issue here. The lesson he has to learn from, and the mistake he has to make sure he doesn’t accidentally repeat next time.

“One of the privileges of the show,” Henrietta allows. “They let us get into all sorts of archives and records that the public can’t access. Looks like there was a brother, some years back. Probably estranged, for as little he’s talked of in the surviving correspondence. But he claimed what little fortune there was left of the Gadlen Estate in 1703 and parlayed it into the triangle trade–”

"You mean the kidnapping, murder, and enslavement of other human beings," Hob says flatly. "It's alright—call it what it was. I'm sure my ancestor is as ashamed of it as I am."

Henrietta offers him a thoughtful glance at his bluntness. “I wonder. At any rate, from there it was a matter of following the line of inheritance, and once the researchers realized that your ancestors had a fondness for ‘Robert’ or some variation thereof for their eldest sons, and a chronic inability to spell their own surnames in any sort of consistent manner, it led us to you. Robert Gadlen the Sixth, or thereabouts.”

“And of course, what with my area of expertise being what it is…” Hob finishes that thought with a shrug and a gesture at himself. 

“It’s almost too perfect,” Henrietta agrees. 

“But who’s to say I’m the right choice of presenter?” Hob pushes. “What if I’m terrible at it? It’d be a huge waste of time and money.”

“I’ve seen videos of your lectures,” Henrietta replies with a cheeky twinkle in her eye. “You’ll do fine.”

“The Everyday Histories series?” Hob groans. “I thought they replaced those videos with this year’s speakers.”

“Nothing ever truly goes away on the internet,” Henrietta reminds him, which is part of the problem. But that's Future Hob's concern. “So what do you say, Doctor Gadlen? Three experts instead of two this time around, and an actual descendant of the original Master of the House to boot. Feels like destiny, wouldn’t you say?”

It bloody well better not be, Hob thinks. He makes a mental note to tell Morpheus to pass on a polite request to Destiny to butt out of his life. He’s already had enough of Despair’s fish hook in the last few centuries. And, though he’s still reluctant to admit it to his Stranger, Hob thinks he’s been the center of Desire’s attention a little too often lately, as well. All that hand-holding is giving Hob ideas that he has to be very careful not to allow to become daydreams around his friend. The last thing Hob needs is the eldest Endless ganging up on him, too.

“If I agree to this,” Hob says, “what would be expected? I mean, I love your work, and my friends Matthew and Morph… Murphy are big fans of what you do, but just because I look like the guy,” here he enjoys the irony of gesturing at the color print-out on the table between them of the portrait of his own face. “It doesn’t mean I have to pretend to actually be him, right? I’m no actor.”

“No,” Henrietta assures him. “We’re not going to write scenes and have you speak as Robert Gadlen. It’ll be the same as Glenn and I, the assumption of a general role and class in society–you as the patriarch and master of the household, Glenn will be the gamekeeper and groundsman, do the gardens, and the orchards, and the shooting, and the like. I’ll be juggling the roles of head cook and housekeeper this time.”

“The cook was an Italian man,” Hob corrects before his brain catches up with his mouth.

“Was he?” Henrietta says, delighted. She sits forward. “Done a lot of research into the Witch Knight then, have you?”

Hob winces at the unkind nickname. "I mean, I know who Robert Gadlen the Third was, of course I do. It's like Anne Hathaway not knowing Shakespeare, even though she's an actor, when she has the same name as his wife. You can't not be aware when it's your field. I just… I guess I never thought that I was actually related to the guy."

Henrietta nods. “Makes sense. I’ll admit I haven’t done the deep dive yet, so I’ll defer to you on that detail.”

I’m going to have to figure out how to back myself up if I’m going to get my way as much as I want, Hob realizes. Any documents or paperwork he’d had in his study the night he'd been dragged away had likely been long ago pilfered or burned up. And Hob hadn’t been in the habit of maintaining a daily journal any more. He’d started one under Caxton, to help learn his letters, but realized fairly quickly that putting proof of his immortality on paper might invite the very accusations and executions that he’d actually suffered.

“I don’t think Glenn wouldn’t mind being the head cook this time, then,” Henrietta says over Hob’s musing. “I can manage the gardens. For the game, maybe we could–”

“I can hunt,” Hob says. “I can ride, too. Though it’s been a while. And I haven’t held a bow since–” –firearms became more ubiquitous in the late seventeenth century– “undergrad.”

Henrietta laughs again, clearly beyond pleased. “And how’s your late Middle English?”

“Impeccable,” Hob says, because you know what? Hob still has an ego, and if he’s going to do this, he’s going to do it right.

*

Once they’ve finished their tea, signed a few non-disclosure agreements, and collected up the folder of reference photos, Henrietta leads Hob further into the bowels of Broadcast House.

Hob feels like a minor celebrity when they walk between the rows of cubicles belonging to the Historics research team. They pop up, one after the other, like meerkats to get a good look at him, then drop back into their seats and whisper about how handsome and uncanny he is in much louder tones than he thinks they realize. Hob wishes Matthew could be here for this, he’d find it hilarious. 

Maybe Hob can convince Henrietta that he used to keep a massive, mouthy raven as a pet so Matthew could ride his shoulder around the set.

Hob is led to a back wall absolutely smothered in fabric swatches, photocopies of old hand-written recipes, food lists, architectural drawings, gardening layouts, sketches of Manor Park, lighting references, plans for riding tack, and a multitude of other documents that Hob hasn’t got the experience or time to parse. Dead centre of the board are life-size copies of the three extant portraits of Robert Gadlen the Third. 

The first is of Hob alone. He doesn’t remember which year it was or the name of the artist. But he remembers that it was pig-hot in the artist’s salon and that he’d damn near keeled over from heatstroke on the first sitting. That had been before he’d met Eleanor, and the painter had been some former apprentice of Hans Holbien the Younger, and very much in demand. Hob had wanted to wear his Stranger’s colors, for the portrait. He wanted to proclaim his gratitude and allegiance to the creature he’d thought of then as his patron. But the black velvet had been smothering, and the scarlet embroidered trim had crumpled unappealingly, and the starched ruff had scratched so appallingly that Hob had begged the artist to let him take it off if it wasn’t being painted in that exact moment.

The second portrait was of Hob and Eleanor. Hob ignores the scarecrowish figure of himself hovering at Eleanor’s side, in a stately parlor. He holds a glove in one hand to indicate that he is master of his estate, a sword on his hip along with his heraldic badge on his breast to indicate his knighthood, and a view of the shipyards where he’d made his fortune out the arched window behind him. Instead, he focuses on his wife.

Eleanor is plump and buxom, cheeks filled with roses and hair the deep gold color of flax. She looks young, God's wounds, she looks no older than his students. How old was she when they married? Twenty? Twenty-two? And he an eternal thirty-three. But Lord Above in All His Splendor, had he loved her on first sight. Maid-of-a-maid in Elizabeth's court, low-down daughter of a low-down courier, nobody of import. She professional enough to remain quiet and bold enough to openly drink the leftover wine that her mistress had abandoned.

She'd met his eyes over the rim of the goblet, launched a challenging eyebrow in his direction, and that was that for Hob Gadling and his heart.

She’d had a little dog when they married, a dumb fluffy white thing with a heart as generous as El’s but breath like a week-old fish pie. She’d loved the bloody thing like a child. It was sitting by her feet in the portrait, pink tongue lolling, staring up lovingly at its mistress, sporting a ridiculous flax-yellow bow. In her lap, Eleanor cradles the lute Hob had given her as his first courting gift. She'd loved music, but hadn't an instrument of her own, and Hob hated how she'd sighed over how lovely the queen's was.

In the portrait Eleanor's dress is the color of a robin’s egg, and so are her eyes.

(Morpheus' eyes too, Hob realizes with a start as he studies the portrait.)

Hob remembers the almighty row they’d had over the dress, when he’d been handed the mantua-makers’ bill. How it was the first time he’d yelled at El, the first time he’d seen the tears well up in her eyes and the mottled, shamed flush creep up her bosom and neck. And how it had made him feel like an absolute monster.

He’d thrown himself at her feet, literally, right there in the solar, and kissed her slippers and apologized. Then he’d kissed her ankles. Then her calves, and her knees. By the time he’d kissed all the way up, and spent a dozen humid moments with her thighs clamped hard around his ears, she was happy to forgive him on the understanding that he was to never again raise his voice to her. It was a promise Hob had kept, because honor was something he clung to, as well.

If your life was such that sometimes all you could call your own as you moved onto a new life was your name and your word, then you didn't break the latter easily.

And the final portrait was the one from the National Gallery, commissioned just months before his son died. This time, Hob is the one seated, taking his ease with a pair of hunting hounds sprawling at his feet and whose names, he is utterly ashamed to realize, he's forgotten. They are outside, Hob on a park bench, under the great wide apple tree Hob had planted in the Park in private memory of his brother John, and the rest of his lost family. Hob is dressed for leisure, as if he's just walked out of the doors of his study and into the garden, still in his wrapper and cap. 

Robyn is the real star of the portrait, as Hob meant him to be.

Standing beside him, leaning on a long, skinny matchlock musket, Robyn looks exactly like he had the day he'd died. He's wearing different clothes of course—fine hunting kit, decorated with more lace and embroidery than would ever be practical in real life. But the rest is just as Hob remembers. The cheekbones finally emerging from the last of his baby fat, the cowl's lick in the swoop of golden-brown hair at the center of his forehead, which he'd inherited from El, the cleft chin, the start of laughter lines around his sparking- dark eyes.

The only difference is that on the night he'd died, Robyn had been sporting his first atrocious, patchy goatee. Attempting to look like his father.

Hob gives in to the urge to run his fingers along the edges of their faces, first El’s then Rob’s. The photo paper is glossy to the touch, but he can remember the smoothness of her cheek, and the peach-fuzz prickle of his. He swallows hard, determined not to allow the emotions throttling him.

"And there he is, our Witch Knight and his tragic family."  Henrietta lays a comforting hand on his shoulder. "It must be very moving, to see them now that you know that they are your tragic family."

Tragic family, Hob repeats to himself. He had sometimes wondered if El, and Robyn, and wee John had died so young in payment for his everlasting life. He had not passed on his immortality. The thought that he had inadvertently stolen their years for himself had been hard on his mind in the many decades he'd begged and starved on the streets.

His Stranger had reassured him in 1689 that it had not been the case. Hob, who had not tasted ale or wine in over a decade, and as a result had no longer been in practice being intoxicated, had burst into tears of relief at the table.

His Stranger had let him cry, without mocking or abandoning him. When the proprietor made noises about closing up for the night, Hob had found a purse heavy with enough fantastical coins ("Pulled from the dreams of children on a pirate adventure," Morpheus had explained centuries later) that Hob could pay the evening's tab, as well as for a room and a wash.

Hob had disdained the tub the proprietor's wife had dragged in, with no desire submerged again any time soon, but he'd scrubbed himself and his clothes as best he could. In the morning, he had appealed to the proprietor for work, and when the man had learned that Hob knew his letters, sent him to his brother's vegetable stall in the nearby market. Hob was too old to be a proper delivery boy, but he could read the lists, and assemble the orders, and knew the city like nobody else.

With his feet back under him, and his belly not eternally consuming itself, Hob was able to make himself decent enough to pursue what little wealth may still be in banking for him (or in the little caches he'd buried all over his hometown), and start again.

And look how that turned out, Hob remembers, tugging his ear.

"Must we call him the Witch Knight?" Hob asks, as Henrietta moves off to point out the bits of fabric pinned to the board all around the portraits. "Only, it doesn't seem like a very kind nickname. He wasn't a witch."

"You sound sure of that," Henrietta says, with a little chuckle. "While of course we can debunk it in the show, it is the most commonly known moniker for your semi-famous ancestor. People know it. It's on all the Gadlen House tourist pamphlets."

Uhg, Hob thinks. He should have visited the house at least once since it was handed over to the National Trust. Maybe he could have stopped the nickname before it got popular.

Instead he'd stayed away completely, certain that his heart couldn't take seeing what the courtiers who had been gifted the estate had done to the place. Nor what 'improvements' their own ancestors may have torturously imposed on his paradise-on-earth.

"Witch Knight," Hob mutters, shaking his head.

*

One of the most important things that Hob has learned about his Stranger in the last year is that Morpheus is an absolute sucker for a bet.

Maybe it’s part of being… whatever it is, actually that An Endless is. Immutable, bound to the laws of the universe, and unable to turn down a wager on a cellular level. It seems that all the Endless were like that, based on Morpheus’ sparse stories. As Hob understands it, once an Endless shakes on it, they are pathologically compelled to see their little bets through, no matter how inane or ridiculous, or what harm it may cause one another. Or what regret and rifts in the love between siblings.

So of course the first thing Hob says when he falls asleep that night is: "If you're so keen for me to do this show, I bet you can't find me a book that still exists that I can use a primary source."

"Oh-ho-ho!" Merv had shouts, from where he's trying to shove a massive potted arrangement  of red carnations, blue cornflowers, and poppies into a corner of the throne room. It's an unusual combination. Hob doesn't know the language of flowers, but the sharp juxtaposition of the blooms looked a little violent to him. "You're betting the boss?"

"Decorum," Morpheus scolds the pumpkinhead waspishly, but without any real heat. He stands from where he was lounging on the bottom steps of his dias, clearly waiting for Hob to enter the Dreaming. "Your wager is accepted. What do you forfeit if I locate the necessary texts in the Waking world for you?"

Morpheus strides towards the Library, and Hob trots after him, his slippers a whisper against the blackhole-dark marble. "I'll put that homemade spanakopita and saganaki you like on the menu at The New Inn."

Hob's been trying to get Dennis to agree to it for months, anyway, but his co-manager is extremely opposed to dishes that a) take literal hours of laminating and metric tons of butter to create and b) are brought to the table on fire. If Morpheus provides him with government documents, or a servant's old journal, or even letters that Hob or Eleanor had written, though, Hob's willing to throw down with Dennis over his sudden desire to shift the menu from Upscale Pub Grub to Classical Greek in the most literal sense.

Morpheus gets that little starry-eyed (also literally) far-away look he sometimes sports when thinking of his originating culture. Morpheus had, after all, been thought into being when humans were still doing the OG version of the Mediterranean diet. Though he didn't eat, the sorts of foods that might have appeared on his altars—warm olives and flatbread, oil and vinegar, tart goat's cheese and yogurt, grapes and sugared nuts—could always entice him into a nibble or five.

"Hmm, agreed," Morpheus says, holding open the Library door for Hob. "And should the task prove fruitless, what do you ask in recompense?"

A kiss, Hob thinks, and then swiftly squashes it down.

"You invite Death to our next Tuesday hang. I haven't had the chance to thank her properly yet."

Morpheus looks sour about that, the possessive prat, which is why Hob had picked it. He's been hinting that he wanted to meet at least this mysterious sister who whom he owes his immortality for a while now.

"Very well," Morpheus agrees mulishly. "This way."

He leads them towards The Shelves of Books That Are, which is where Hob would have started, too. The Shelves of Books that Were might help too, if Hob could convince Morpheus to allow him to bring a physical copy into the Waking. Regrettably the Shelves of Books That Have Yet To Come and the Shelves of Books That Never Will Be would be off-limits for this little project.

Maybe, if they do have to magick a book back into existence, the Bookseller of Soho could see fit to help him with the little ruse. He’d always seemed the sort of a nice spot of drama, and the Bently Snake was always down for a bit of heist when needed.

They chat a bit about their days—Morpheus about the section of the Dreaming he's building to celebrate the many vivid and creative imaginings of the growing legions of fan writers and artists, and Hob about his first meeting with Henrietta.

"Witch knight!" Hob repeats in disgust as he relays the conversation. "As if I was—" he gestures at himself, and his scarlet silk pajamas darken and spread, like ink in water, until he's wearing the most ridiculous anime-esque spiky gothic armor he can think up.

He's getting better and better at this lucid dreaming schtick.

"Peace, Hob," Morpheus entreats, waving away his nightmarish outfit. His clothes become pajamas once more, though the King of the Dreaming has added a cozy, blowsy banyan in cloth-of-gold. Hob rather likes it—it billows and trails behind him just like Morpheus's own cloak of galaxies. "It was not meant as an insult. It is merely another story."

"But stories hold power, you said so," Hob says, jogging along to catch up with his friend. "And I'd like to find something else to outshine that one."

Morpheus is always taller than Hob in the Dreaming, and far more eldritch too. His pale eyes are instead the deep velvet black of space, filled with a field of stars. He is skinnier, sharper, arms and fingers just slightly too long, hair more wild and clothing always moving as if he has his own private breeze to make sure his cloak is always shown to best advantage.

He probably does, the vain ponce.

He's a gorgeous nightmare, and he knows it.

And so he peers down at Hob from his lofty snobbish height. Then with a dramatic flourish, he plucks a book down off a shelf that's definitely too high up for Hob to reach.

"I win," Morpheus says smugly.

PREVIOUS | NEXT

[verypersonalscreencaps]

LESLEY MANVILLE & LISA McGRILLIS attend the press night after party for "Accidental Death Of An Anarchist" at The Haymarket Hotel on June 26, 2023 in London

[comradeupdog]

Any opportunity to explain Lenin’s position of the Revolutionary state I will take, love!

Also, there is a joke about the “withering away” away of the proletariat state in there somewhere, I just can’t get it.

baby is that your headphones in ur pocket or is your dick just really round hard and starts halfway down your leg

[drsonnet]

From the River to the Sea: Essays for a Free Palestine

Edited by Sai Englert, Michal Schatz and Rosie Warren

In the final months of 2023, as this ebook is published, Israel is committing a genocide in Gaza. Israeli officials have repeatedly made their intentions to do so extremely clear; talking of collective punishment, mass murder, and ethnic cleansing in newspapers, at press conferences and on television. All the while, European and American states have continued to support Israel, to claim its murderous campaign is justified self-defence, and to send weapons, troops, war boats and spy planes in support. While Western governments have supported the unjustifiable, or spoken inane words of condemnation while failing to take any concrete action, millions around the world have poured into the streets to denounce their complicity, to demand a ceasefire and a free Palestine. From the River to the Sea collects personal testimonies from within Gaza and the West Bank, along with essays and interviews that collectively provide crucial histories and analyses to help us understand how we got to the nightmarish present. They place Israel’s genocidal campaign within the longer history of settler colonialism in Palestine, and Hamas within the longer histories of Palestinian resistance and the so-called ‘peace process’. They explore the complex history of Palestine’s relationship to Jordan, Egypt, and the broader Middle East, the eruption of unprecedented anti-Zionist Jewish protest in the US, the alarming escalation in state repression of Palestine solidarity in Britain and Europe, and more. Taken together, the essays comprising this collection provide important grounding for the urgent discussions taking place across the Palestine solidarity movement.

With contributions from: Dr. Reda Abu Assi, Asmaa Abu Mezied, Tawfiq Abu Shomer, Khalil Abu Yahia, Dunia Aburahma, Spencer Ackerman, Hil Aked, Dr. Yousef Al-Akkad, Jamie Allinson, Dr. Hammam Alloh, Riya Al’Sanah, Soheir Asaad, Tareq Baconi, Rana Barakat, Omar Barghouti, Sara Besaiso, Ashley Bohrer, Haim Bresheeth-Žabner, Nihal El Aasar, Mohammed El-Kurd, Sai Englert, Noura Erakat, Samera Esmeir, Rebecca Ruth Gould, Toufic Haddad, Adam Hanieh, Khaled Hroub, Rashid Khalidi, Noah Kulwin, Saree Makdisi, Ghassan Najjar, Samar Saeed, Reema Saleh, Alberto Toscano and Eyal Weizman, alongside a number of Palestinian writers published pseudonymously. Published in collaboration with Haymarket Books. Cover design: Tom Greenwood.